Friday, 18 November 2016

Bonobo: Kerala - A visual interpretation of a "Bad Trip"

A new release from British musician, producer and DJ Bonobo "Kerala" cleverly uses cinematography from director Bison in its music video, a visual representation of the struggles undergone during a bad psychedelic induced "trip". What strikes me about this music video is how the visual experience itself for the audience helps to encapsulate the mental difficulties sometimes experienced as a result of taking psychedelic substances - the repetition being a struggle to watch, to make sense of, as well as the difficulty in first spotting the surreal aspects / hallucination elements depicted in the video. The mind really can play tricks on you.

Please watch this!



Below are is a list of the surreal elements as they appear in the video - things to watch out for and get your head around.

0:00 - meteor 1:00 - rock levitating 1:05 - man on bench feeds nonexistent birds 1:50 - building floating, rotating 2:02 - door caves in 2:15 - man in restaurant's eyes glow 2:27 - tv footage shows the video about 30 seconds into the future flipped horizontally 2:42 - man crossing street duplicates 2:50 - restaurant sign foreshadows building fire 3:03 - car gradually changes colour 3:06 - man floating in sky 3:16 - fire in building 3:28 - solar eclipse 3:46 - people standing in a grid pattern, looking up 3:57 - birds take flight (or are they humans?)


This video brings to the audience a sense of the possible psychosis experienced when participating in a psychedelic trip- something which in itself has proved notoriously difficult to explain by the subjects who experience it. Maybe this has a message which coincides with mine - the possible dangers of the psychedelic experience if someone is to ignore the importance of 'set and setting', an unguided experience - something which is key if wanting to gain therapeutic value when experiencing altered states of consciousness and one commonly overlooked during recreational use of psychedelic plant based substances.